Dokumenta (1969, Journal National Zeitung Suisse).

Alpha BP (1965, British Petroleum&Co.).

Devanagari (1967) and Tamil (1970), both done for Monotype Corporation.

Alphabet EDF-GDF (1959, Р“вЂ°lectricitР“В© de France, Gaz de France).

OCR-B (1966-1968, European Computer Manufacturers Association).

The slab serif is robust and is based on the letterforms of Univers. But it is also sold by Adobe, Tilde, Linotype, URW++, Scangraphic, and Elsner & Flake. Bitstream published the digital typeface Serifa BT. Other names include OPTI Silver (Castcraft), Ares Serif 94, and Sierra. URW++ lists the serif family in its 2008 on-line catalog. It is the font used on the highways in Switzerland. A typeface variant of Frutiger licensed under Linotype. Concorde (1959, Sofratype, with AndrР“В© GР“Сrtler).Apollo (1962-1964, Monotype): the first type designed for the new Monotype photosetting equipment.Alphabet Orly (1959, AР“В©roport d'Orly).Egyptienne F (1955, Fonderie Deberny&Peignot 1960, for the Photon/Lumitype machine).In 2020, Linotype's Akira Kobayashi dusted off Univers Next Cyrillic and Univers Next Paneuropean. In 2018, Linotype added Univers Next Typewriter. In 2010, Linotype published Univers Next, which includes 59 Linotype Univers weights and 4 monospaced Linotype Univers Typewriter weights, and can be rented for a mere 2675 Euros. I suggested 'Universal', whereupon Peignot decided, in all modesty, that 'Univers' was the most all-embracing name!. Monde was unsuitable for German, in which der Mond means 'the moon'. The name Europe was also discussed but Charles Peignot had international sales plans for the typeface and had to consider the effect of the name in other languages.

About the name, Frutiger wrote I liked the name Monde because of the simplicity of the sequence of letters.

Bitstream's Calligraphic 421 is slightly different. Adobe, Linotype and URW++ each have digital versions called Ondine. The Bitstream version of this font is Formal Script 421. Quote: Helvetica is the jeans, and Univers the dinner jacket. In 2009, Heidrun Osterer and Philipp Stamm coedited Adrian Frutiger Typefaces The Complete Works (BirkhР“В¤user Verlag), a 460-page opus based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland. Frutiger lived near Bern, Switzerland, and was very interested in woodcuts. Art director for Editions Hermann, Paris 1957 to 1967. He established his own studio in 1962 with AndrР“В© GР“Сrtler and Bruno Pfaftli. He closely cooperated with Linotype-Hell AG, after having been artistic director at Deberny-Peignot in Paris since 1952. TYPE DESIGN INFORMATION PAGE last updated onР”Р‡amous type designer born in 1928 in Unterseen, Switzerland, who died in September 2015.

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